Ron Carter e con Ali, specialmente in IHS,Į portarono ai caleidoscopici 13 minuti di Ptah Pianoforte sia di arpa) fiorirono in HuntingtonĪshram Monastery (maggio 1969), eseguito in un trio con il contrabbassista Le sue abilità di compositrice ed esecutrice (sia di Trane (eseguita in un trio con il contrabbassista Jimmy Garrison e ilīatterista Rashied Ali). Pharoah Sanders al clarino basso) e Gospel Swamini Turiyasangitananda), Alice Coltrane cominciò a guidare la formazione inįondeva spiritualità orientale e sensibilità blues-jazz in pezzi modesti come Ohnedaruth (eseguita in un quartetto con La morte del marito e la conversione all’induismo (e l’adozione del nome McCoy Tyner quando egli lasciò il quartetto di Coltrane nel 1966. MacLeod (1937), pianista di formazione classica di Detroit, sposò John Coltrane nel 1965 e sostituì (Translation by/ Tradotto da Giulio Bassanello) She performed nine traditional Hindu chants called bhajans on Live double-LP Transfiguration (april 1978), mostly in a trio with bassist Reggie Workman and drummer Roy Haynes. She turned to devotional music, except the
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Of how to play instruments, or jazz as bodily entertainment was rapidly becomingĪfter a confused Eternity (october 1975), with a multitude of players, The idea that music serves the spiritual needs of the mind. The strings became even more important to render that ecstatic feeling on Lord of Lords (july 1972), whose Lord of Lords and Andromeda's Suffering contrasted the rhythm section of Haden and Riley with a string orchestra of violins, cellos and violas.Ĭarnegie Hall '71 (february 1971) documents a live performance with Pharoah Sanders and Archie Shepp (both on saxes and flute), Jimmy Garrison (bass), Kumar Kramer (harmonium), Cecil McBee (bass), Clifford Jarvis and Ed Blackwell (drums), including a 29-minute version of Africa.Īll in all, her key contribution to the history of jazz was an idea, The humanistic and cosmic element was now prevailing over the music itself, as in Galaxy in Turiya and Galaxy in Satchidananda on World Galaxy (november 1971). Universal Consciousness (june 1971) had pieces scored for harp, string section (four violinists including Leroy Jenkins) and a dreamy rhythm section of Garrison and drummer Jack DeJohnette. Husband's frenzied free-jazz, and the music was hardly jazz at all. To Something About John Coltrane (Alice Coltrane on piano).Īlice Coltrane had reached the other end of the spectrum, compared with her Isis And Osiris (with Charlie Haden on bass and Alice Coltrane on harp)
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Sanders (on soprano only) and volcanic rhythm section of bassist Cecil McBee and Ali plus tamboura and oud players, was another transcendent take on chamber world music, post-psychedelic droning and modal improvisation, from Journey in Satchidananda (november 1970), featuring Inaugurated a new form of music (predating ambient, world and new-age music). The solos belonged to the jazz tradition, but the structure of the pieces The limits of her piano playing (that basically transposed her harp technique to the keyboard) were more than compensated by her lyrical and agile writing. To the kaleidoscopic 13-minute Ptah the El Daoud and the simple 16-minute Mantra of Ptah the El Daoud (january 1970), her artistic peak, featuring Pharoah Sanders on tenor saxophone and alto flute, Joe Henderson on tenor saxophone and alto flute, Ron Carter on bass and Ben Riley on drums. Trio with bassist Ron Carter and Ali, especially in IHS, and led Huntington Ashram Monastery (may 1969), by a Her compositional and performing skills (both on piano and harp) blossomed on Ohnedaruth (by a quartet with Pharoah Sanders on bass clarinet)Īnd Gospel Trane (by a trio with bassist Jimmy Garrison and drummer Rashied Ali). John Coltrane in 1965 and replaced McCoy Tyner when he left in 1966.Īfter her husband's death and after converting to Hinduism (and adopting the new name Swamini Turiyasangitananda),Īlice Coltrane began her career as a leader withĪ Monastic Trio (june 1968), a set that bridgedĮastern spirituality and blues-jazz sensibility in humble pieces such as Huntington Ashram Monastery (1969), 6.5/10ĭetroit's classically-trained pianist and harpist Alice MacLeod (1937) married ( Copyright © 2006 Piero Scaruffi | Terms of use) Alice Coltrane: biography, discography, review, ratings
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